If you have to spend even a fraction of a second thinking about what scale fits over what chord, you’re doomed. We can simplify and summarize all 12 whole tone scales to just 2 scale types : “A” whole tone scale and “B” whole tone scale. Incorporating the B will be simply giving us a Cmaj7 so we have a slight head start there. The first logical step is to learn how to apply scales over single chords.Soloing over chord changes is a far more advanced concept which we'll come to later. Free Guitar Scales Pdf Scale and Arpeggio Patterns Ebook To Download For Free From this page you can download a free guitar pdf ebook with plenty of scales and arpeggios patterns. 2 The notes circled in yellow show the open chord forms. Saved by mechanic. After studying the theory behind the altered scale, you are now ready to learn a … D Shake your tail and make a light show? By submitting this form, you are opting into our awesome mailing list. The free Chord and Scale library inside the Guitar Tunes app gives you access to over 5,000 chord and scale patterns. Improvising is all about taking risks. n�3ܣ�k�Gݯz=��[=��=�B�0FX'�+������t���G�,�}���/���Hh8�m�W�2p[����AiA��N�#8$X�?�A�KHI�{!7�. %PDF-1.3 0000001890 00000 n The melodic minor scale is closely related to the major scale with its natural 6 and 7. Scale of Thirds: C E G B D F A C E G B D F A C. The "diatonic" major and minor pentatonic scales: C major pentatonic (I) same as A minor pentatonic (vi) F major pentatonic (IV) same as D minor pentatonic (ii) G major pentatonic (V) same as E minor pentatonic (iii) The general concept is that the diatonic pentatonic scales that are in a relationship of a diatonic third up or down from the root of the chord … Let’s take a look at the C major scale, focusing on the notes on the D string and above as this is where our melodies will sit. After a while, the lists became too long, so we implemented some macros in Excel to find more chord relationships. ?n��~(j�[��Le�6� approach’ to using a different scale over each chord being played, to substitution pentatonics. This chord progression is based around the most important chords in a key I, IV & V (1, 4 & 5) and is repeated over and over for the duration of the piece. When you start soloing over chord changes in Jazz then the first concern is often what to play over each chord. N'��)�].�u�J�r� Major Scale. This is a basic theory lesson for beginner guitar players. practical because chords and scales belong together. stream It’s important to note that there are many more scales you can use and super-impose over the chords I’m listing. %%EOF Download the Chart. ��ă 7�刯�鼢qim���ΨF#4l�Hx�Խ��������r~�j][����x��E%�J�����W*{̴j;e May 31, 2017. %�쏢 231 15 In this guitar lesson you will quickly learn about how to use scales over chords. They can also be altered to create a variety of different sounds or ‘tone sets’. guitarists guide to scales over chords the foundation of melodic guitar soloingbkcd Oct 25, 2020 Posted By Denise Robins Media TEXT ID f83282d0 Online PDF Ebook Epub Library solos if youve been stuck in a pentatonic rut or you feel that youre constantly relying on the same old patterns this is the book for you the book covers 14 scales in detail However, I urge you to try some of the other suggestions that I list, don’t limit yourself. pentatonic (minor) Contains 5 notes. Soloing by Key is the easiest method of soloing because you treat the entire song as one entity. 231 0 obj <> endobj Inilah hasil dari Download Ebooks For Free Pdf Novels dan informasi lain yang berkaitan dengan Download Ebooks For Free Pdf Novels. Download the free print sheets for this lesson (PDF) Basic modal jazz guitar scales These are your standard improvisation scales over major, minor and diminished chords. Which of those you choose to play is an artistic decision you'll have to make at the time and will depend largely on the key and other chords around it. Twitter. This scale is used over the V chord in progressions like V IV (G F). For example, play Am pentatonic chords over an F major 7th chord. Most of the time, II-V-I’s are taught as a set of discrete modes or as a collection of related modes derived from a single parent scale. When learning guitar scales, it's very important to start slowly and accurately, then build up speed gradually. How come? Locrian Mode . Obviously the first way to use the melodic minor scale is over a minor chord. Leave a reply. Our guitar and piano chord database has over 84.000 chords and 500.000 chord charts. Listen to the tracks, and this will illustrate how the chords formed from a scale can work together in a family to create a coherent chord progression. When playing the minor pentatonic scale over chords to play my solo, which string do I start on? dJ0�@�O���ZCV. startxref The "scale of thirds" also gives you some cool chord substitution concepts using chords built from the pentatonic scales mentioned above. xref You will probably be amazed at how familiar this scale is as its used in so much rock and pop music and is easy to fit over many styles of songs. H�tT�n� ��+8BUc0��V��[�[UE��t7�]G�Q��� v���j%�f�7��I�L��?%Q�������>���!�n��Q��� �g�]�P�b��P��,H.�,�����%%�R�9w��\>�+P����B�2��\l��e;5#�n�y���mi�u�|u2R��]��z�!c��f;�����pm�k�]���I�&p*�8g~Q��$�]���P C��f�Xz+����2���"й��ZA}2������Pr�����I}� �n����(X�xI_Y�%�2>K�+�S�Yn���,���Û�oL7�ei�&�2m[��bΜX��q���7)���$Ԯ�S5����)�߳\��S�Ⱦ��;9�hL&"H3��C�O� �x��2|y?v�|R�$����e�cq-O��8������f�`���{�����K4? There are a number of common chord progressions that you will find in virtually every jazz standard. �\i����Z��� LN��bQ�~^L��I���l.���31�Z2- �a�N�∳�������ZO��M�9����J�Vb ������O�T/˦���p�H��nߖֿ���l6'����u`}�1��p�B� ~�t=� ����}�Ò��D�����9G�fob� Saved by Paul Howells 0000000596 00000 n Dominant Chords (V7 #11) Playing from the fourth note of a melodic minor scale you can create a V7 #11 or lydian dominant sound. The scale patterns shown in this lesson are all major scale patterns, therefore all major chords will relate to the major scale pattern. Pentatonic scales are killer scales to play over blues and over I-IV-V changes. Give this page a set of musical notes and/or chords, and it'll tell you what chords and scales contain or are contained by that set (along with all the notes in those scales and chords). It really is that simple. It will help you learn many different shapes and fingerings all over the fretboard. To use it over E7, just move the fingering two frets up to the e-note on the 7th fret on the fifth string (that’s where the root note of this scale is located). The diminished scale is different from the dominant diminished scale, which alternates half and whole steps and is used to solo over dominant 7b9 chords.. Rather than playing the Dorian mode over a minor chord, try the melodic minor scale which includes the major seventh. 0000003119 00000 n In the last module we learned all about Jazz Chords. 2y�.-;!���K�Z� ���^�i�"L��0���-�� @8(��r�;q��7�L��y��&�Q��q�4�j���|�9�� 0000002879 00000 n a sequence of chord changes). The 7 scales on the chart below are a good place to start. At first the tools were just a list of relationships that we used to help us find scales and chords. This thinking of a parent scale is a shortcut that must be surpassed. What tone? Check Out Guitar Chord Charts . <> Learn how various chords are related to each other. A safe bet is always the root (1st), the third or the fifth. On the Gm7 the line first resolves to C, which is the target note, and from there continues … In Jazz, it’s possible to use many different scales over a single chord. We decided to share our tools with you. 0000001974 00000 n But on the other hand, going out on a limb can sometimes result in a crash – getting lost and never returning to safe ground is no fun either. 37044. PDF's available for instant download here: https://www.jazzpianoconcepts.com/store Check below for more options. Image result for scales over chords pdf. The context in which the melodic minor scale most often appears is over a dominant chord. Major scales can be used to improvise over any type of major chords such as major 7ths, major 9ths, major 6ths, and major triads. 1st 2nd b3rd 4th 5th b6th b7th. When soloing over minor chords using this “pentatonic box #1” method, the 7th is part of the pentatonic shape. Let’s show it with an example. When first exploring diminished scales on guitar, it is easy to confuse these two scales. Now we move onto Jazz Scales. chromatic. This table is part of the new ebook Chords Domination, an innovative resource that will teach you everything about how to create chords all along the fretboard. Playing the scale over the chord. Playing the scale over the chord. A Minor Pentatonic Scale. We can simplify and summarize all 12 whole tone scales to just 2 scale types : “A” whole tone scale and “B” whole tone scale. Let it be said that without taking any musical chances, an improvised solo will lie pretty flat. new scale that you just learned. ;�v���%����v?^���]U���Z�|9��#�l%���~E�g����]��p�M��?�q�t�l�׻�l:����Mo��]��7��v�����|{�e)�跲�����簱�l�~����x�t��tYu]��ߴv�^4���G~}J+�j�4��(1WX�Q�b:uX�D�X8w }�oa�!�����h�3�Sq 6�u�`�aѦ��Wve�H���U7�H����_�^�������qWz�wT2����W�{-Z3�j-�V;+�6���x4}����7��&�__�i��l6�Y�M�X�Սe��G�Ω�1����w���61�ߩs�)�}w��fO���>�tg�#Τa!��q����no�x'}S)�O� Chord Progressions; Chords & Voicings; Scales & Modes; Theory Docs ; Useful Books & Apps; Chord Progressions. r.>8bO�).;� �S=*?og���DQ�������:�X��c�sǗ�g�q~��f�O�m@y�8#S>]�(eT �Rnr��g4�� t��4����a k��`E�ş��Z-��dԚ��cn儳k����z�.�� The diminished scale is used to solo over diminished 7 (Dim7) chords. For example, the C Major chord includes the notes C, E, and G. The E is a major third above the C; the G is a perfect fifth above the C. Here’s a quick look at how to build major chords on every note of the scale: Incorporating the B will be simply giving us a Cmaj7 so we have a slight head start there. ;�>Ӭ��d���y�|�9�����N�H�X�p&"+22���=ܝ����(�HV�ڢw2ͨ���Z�L:�W�I(,Ti1Yh߫��iwOo�؃����&j��Yv�8�4�yL�羪�������{{�l͵�A�����5�8���k��G'�㶞���Y߄� The seventh and final mode is a very rare mode. y�%��Φ.�������bCD&:q^�%���9R�.���e��ϕN���/%N�%?qL`. dominant 7th chord.Whole tone scale is used above all in Jazz music. We decided to share our tools with you. C major chord. 0000002843 00000 n Download a free, high-quality printable .PDF version of this guitar scales chart by entering your email below! With Guitarist's Guide to Scales Over Chords , you'll learn how to apply the most commonly used scales in a musical manner. 2. Let’s take a look at the C major scale, focusing on the notes on the D string and above as this is where our melodies will sit. �8:OK6#Z�g�? Over the F# minor chord: Over the A major chord: Over the E major chord: Over the D major chord: Note that for the minor chord, I also included the 7th scale degree (the blue dot) to be a chord tone. Yes, it’s perfectly okay to begin that way, but you must move beyond it. This is one of the things that makes Jazz interesting to listen to. Image result for scales over chords pdf. Chord Search. Aeolian Mode. In this lesson we will learn how chords and scales are related through the Chord-Scale Systemand discover that chords and scales are actually the same thing. Major Scale. A major chord consists of a root, a major third, and a perfect fifth. Image result for scales over chords pdf. This SCALE SYLLABUS is intended to give the improvisor a variety of scale choices which may be used over any chord - major, minor, dominant 7th, half-diminished, diminished and suspended 4. If you remember Lesson 14, you know that certain chords work with certain modes, and you know that the major scale and all the modes share the same patterns, but they change root notes. Below you can find a selection of downloadable PDF resources covering chords, scales, jazzy chord progressions and links to useful books and applications. One of the worst habits acquired by using the Chord-scale system is the need to “calculate” what scale to use over what chord. And how do we pick those scales? But which melodic minor scale? The use of a half-step whole-step diminished scale over the dominant chord is very common in bebop. You can also choose to blink the root notes for easy identification while you're practicing. Cart; Checkout; Login; Create an account; Contact; Secret to play over Diminished Chords. dominant 7th chord.Whole tone scale is used above all in Jazz music. It’s simple! x��[]o��c�]�ڈ?�^{��ն��M{U�E�hQ��K�m��" The “Secret” Scale to Unlock 2-5-1 Chord Progressions. The Pentatonic scale is the easiest and most effective scale to play over a minor key and is capable of beautiful bluesy, dark and soulful sounds. Facebook . Improvising Over Chords Without A Net. When soloing over minor chords using this “pentatonic box #1” method, the 7th is part of the pentatonic shape. A case of making a strong foundation before you get faster. The aim will be to do just as we have done with the note D, with all the rest of the notes, over a C major chord. The Abdim line is a descending arpeggio run from the 3rd(B). this scale over a certain chord or series of chords, it’s a great idea to compare the notes in the scale with the notes that are in the chord(s) that are being played in the rhythm parts. Approach 2B – Using The Best Scales To Solo Over Blues Chords We are going to take a look at how to go right to playing smoothly and naturally when the chords change. Inilah hasil dari Download Ebooks For Free Pdf Novels dan informasi lain yang berkaitan dengan Download Ebooks For Free Pdf Novels. Note that the top four notes of this scale are the same as the straight dominant scale – the bit you have to work on is the bottom f our notes. But which melodic minor scale? Choosing the scale for your solo A lot of people ask me how you apply the scales you learn over chord progressions (i.e. Forget about progressions for now! wonder which scales they should learn first. 0000002405 00000 n l�M�?PR9C�Pҵ[���]�_��9sfH(�RȢr��?����;S���m����/Ï��~ض�r�����|��B������U�um՚��(��˺-�(��x|�}�p��ekt'>�����}ݨR5M������7���� ,�*���2�wi x9[B-��'JY�啹�∃R[�)2m�a|c�֮� W\;DGG���8��Z�6E�b{����EؿS@}��T��4������Px4 �љ��~�8S �B�Am�isf @�0.F��}����4I�6Ho�\r�qN*�/�(�"e����m)ڠ ��U�3M�Pa� ���Dkb��/�E����Iϓ�#`�J�Ml� -�Fx By Josiah Boornazian. Em7 A7 D A dance of colors and hues D7 Well, I do [Chorus] G C#7 Here, right before your eyes D F# Bm A bright Our guitar and piano chord database has over 84.000 chords and 500.000 chord charts. Check it out: With Guitarist's Guide to Scales Over Chords , you'll learn how to apply the most commonly used scales in a musical manner. Community Answer. When a dominant chord appears in a particular song, you can use the melodic minor scale right then. This SCALE SYLLABUS is intended to give the improvisor a variety of scale choices which may be used over any chord - major, minor, dominant 7th, half-diminished, diminished and suspended 4. The 2nd turnaround example is using the C over the Gm7 chord. Everybody find Diminished chords troublesome to play over, but actually it is not as difficult as you think. "F$H:R��!z��F�Qd?r9�\A&�G���rQ��h������E��]�a�4z�Bg�����E#H �*B=��0H�I��p�p�0MxJ$�D1��D, V���ĭ����KĻ�Y�dE�"E��I2���E�B�G��t�4MzN�����r!YK� ���?%_&�#���(��0J:EAi��Q�(�()ӔWT6U@���P+���!�~��m���D�e�Դ�!��h�Ӧh/��']B/����ҏӿ�?a0n�hF!��X���8����܌k�c&5S�����6�l��Ia�2c�K�M�A�!�E�#��ƒ�d�V��(�k��e���l ����}�}�C�q�9 Daniel Gonçalves. When a dominant chord appears in a particular song, you can use the melodic minor scale right then. For the G major chord, you can substitute a G major 7th chord. The altered scale is used to improvise over altered dominant chords (G7#9b13 for example). �x������- �����[��� 0����}��y)7ta�����>j���T�7���@���tܛ�`q�2��ʀ��&���6�Z�L�Ą?�_��yxg)˔z���çL�U���*�u�Sk�Se�O4?׸�c����.� � �� R� ߁��-��2�5������ ��S�>ӣV����d�`r��n~��Y�&�+`��;�A4�� ���A9� =�-�t��l�`;��~p���� �Gp| ��[`L��`� "A�YA�+��Cb(��R�,� *�T�2B-� Here are a few charts to help break down modes, including scale patterns, chord patterns, and the characteristic “colour note / chord” within each scale. The first chord of each major scale form defines 5 different chord shapes or forms and as you would guess they are the G, E, C, A and D form chords. No fun for the player OR the listener. In classical music the Melodic minor scale is played going up and the natural minor scale is played going down. You don’t even have to switch between using scales and arpeggios, you can integrate them. Which of those you choose to play is an artistic decision you'll have to make at the time and will depend largely on the key and other chords around it. And over a minor 7th chord, you can play Dorian, Phrygian, or Aeolian, and so on. 0000000016 00000 n It’s simple! The question here is: which of the five notes composing the scale should I start on? Over the F# minor chord: Over the A major chord: Over the E major chord: Over the D major chord: Note that for the minor chord, I also included the 7th scale degree (the blue dot) to be a chord tone. Scale, Chord and Arpeggio PDF; Backing Tracks; Transcriptions; WebStore; My Account. This book examines how scales and chords are closely linked and how this relationship is key to crafting memorable, intelligent solos. You will also want to eventually learn the modes of the major scale. Instead you might hear a C Lydian Augmented scale (we will cover this scale in the next lesson), which is far more enticing. A kind of variation of the pentatonic in combination with the chromatic scale, it fits well over basic songs that do not modulate (change key), if the song changes key you could use a chromatic/ whole time shift and fit another blues scale into the new home! Both of the scales below are in the key of A, so they fit perfectly over the Am chord progressions. 0000003196 00000 n Guitarist's Guide To Scales Over Chords - The Foundation Of Melodic Soloing: Lehrmaterial, CD für Gitarre (Book & CD) | Chad Johnson | ISBN: 9781423483212 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. The context in which the melodic minor scale most often appears is over a dominant chord. 0000004897 00000 n We hope you find them useful. There are several commonly used bebop scales, major and dominant are the most common. Let’s say you played the first chords listed in chart 1, in the order that they were listed. Major Scale. Guitar Chords Chart Pdf Printable Free Ebook Chords Chart with Finger Positions, Note Names and Intervals If you are looking for a handy guitar chords reference , you've come to the right place.We have created this guitar chords chart that will help you learn new chords and play your favorite songs. But why can we use multiple scales over the same chord? But first, let’s have a quick refresher. By Joel Mabus . Many big name players and rock bands have made careers using pentatonic scales. We use scales as a vehicle to improvise over these chords. Chord Search. The major scale contains all 4 notes found within a C major arpeggio and has 3 additional notes, the 9 th, 11 th, 6 th which make it a 7 note scale. Hopefully, this will give you a useful way to organize and see the relationships between 7th chords and pentatonic scales. Use this scale over the D7 chord. Scale, Chord and Arpeggio PDF; Backing Tracks; Transcriptions; WebStore; My Account . What tone? Y��ӏ�Am��H9�3� M�H'/*�G0�Z(��s��"Vq��z��k%]Rȭm�iJ�9)y#g�m�R&�.8�$c�������ҝ�L3>�$,ի����%�~��C��:�v��V�;�r�fL���)"�W��h}�u�V��*SCHx���Ȭ��ٱ�*ƛ'|v�#M ���Tq]Gfg^�!∜��O�'�EPogDM�i,@�9��ޑh��m����RV2��'ΰ�^���o����e�آ�2e��yI�#T��Ѱ�x��v� ��ir��0�cSE5R`����-9�Qs��Ez6>�5���R���yC:��o=�i¯�$+ For example, I won’t mention the different kinds of minor pentatonic scales or bebop scales you can use. 7 10 E Dominant Pentatonic The following are some licks that go well over the D7 chord: You can use this to help you: Learn what notes are in given chords or scales. 0000002245 00000 n The line starts with a scale run from A to C on the Am7. Fantastic for finger work and again getting you to new keys, chords quickly. It is another of the most common modes, possessing a dark and somber sound. 5 0 obj For example, if you see a dominant 7th chord, you know right away that you can play a Mixolydian scale over that. ;��A�aLiǔua��l�0�^�MS����W����p����T�Nv���2Z�/v���DW5��^�����KjzJ >f�}�O���=>��/w�T���O��Ϭ1�Ȧ?�$��2v!��jyAOC'7o����:S�. Here are a few charts to help break down modes, including scale patterns, chord patterns, and the characteristic “colour note / chord” within each scale. <<49dfd933095a8948906ee81b1b5297e7>]>> This is a really unique sound using the melodic minor scale … When you see a chord progression like these formed from a given scale, that is a strong indicator that you can use that scale to improvise and form solos over the chord progression. We discussed 7th chords, and how to add tension (9th, 11th, & 13th) to create 13th chords. ���ngvv9�=e/O�����::;�}�і���O��,:zFҬ������: }��Ǜt��ёV�E~1���R^~ь�^��'�e_8�T�zmӾ��������;�e7�q?r�Wy�E+|s�?�fw~��F���F9/�p �W�F��d$��K�. You don’t just hear a plain old C Major scale over a CMaj7 chord, which is a bit unimaginative. Here is a list of what scales you can use over 7th chords. 233 0 obj<>stream How come? This book examines how scales and chords are closely linked and how this relationship is key to crafting memorable, intelligent solos. 0 This is done by selecting a scale that works over the entire key and only playing its notes. 0000003424 00000 n 0000004675 00000 n In the diagrams below, take a look at how the intervals correspond with those in the associated chord. 0000004142 00000 n Western music, especially jazz and pop, uses major, dominant 7th, Dorian minor and Blues scales and chords more than any other. Altered Scale Fingerings. “A” whole tone scale type “B” whole tone scale type • The other 10 whole tone scales have the same notes of these,but, of course, they begin from different tones. The sixth mode is the minor scale. At first the tools were just a list of relationships that we used to help us find scales and chords. This scale is used over the vi chord in progressions like vi ii (Am Dm). Kami mengumpulkan ... Monday, September 21, 2015 Guitarist’s Guide to Scales Over Chords: The Foundation of Melodic Soloing Kindle Edition with Audio/Video Guitarist’s Guide to Scales Over Chords: The Foundation of Melodic Soloing Kindle Edition … Saved by Victoria Barclay 0000002107 00000 n ��?�0X�m6�5��Ϩ�Mt%��hgI�l���3�b��1�jWQ��s��c#0�� �Y"��o�m��M���5�Őf��W]ͻ�B��E��0�8&;L���ED�����Xg��M#��t�`~ �_�S�����������D5o�)X('M����>�/���‚gX�m)9�ǘ�6���'� _-D}�i����㟐��ʞB���Ŵ��c�Yb�A ��E�����N�S~(Y)>(^�$�����g;�K�*J�6I���&ZV����5�J��`ff�l�hc?��]�F 12 notes moving up in semitones. [Verse 1] Do you ever hug your scales? C major chord. guitarists guide to scales over chords the foundation of melodic guitar soloingbkcd Oct 25, 2020 Posted By Ian Fleming Media TEXT ID f83282d0 Online PDF Ebook Epub Library solos if youve been stuck in a pentatonic rut or you feel that youre constantly relying on the same old patterns this is the book for you the book covers 14 scales in detail %PDF-1.4 %���� We use scales as a vehicle to improvise over these chords. 12 Bar Blues Chords & Scales for Guitar The 12 bar blues is a 12 bar long chord progression that solo blues musicians can easily improvise over the top of because the chord progression is familiar to them. �V��)g�B�0�i�W��8#�8wթ��8_�٥ʨQ����Q�j@�&�A)/��g�>'K�� �t�;\�� ӥ$պF�ZUn����(4T�%)뫔�0C&�����Z��i���8��bx��E���B�;�����P���ӓ̹�A�om?�W= Super Locrian is often used in jazz over an Altered Dominant chord (b9, #9, b5, #5, #11, b13) The Major Pentatonic scale is the easiest and most effective scale to play over a major key and delivers an uplifting blues country sound. Cart; Checkout; Login; Create an account; Contact; How To Solo Over Chord Changes The Right Way. 7. H���yTSw�oɞ����c [���5la�QIBH�ADED���2�mtFOE�.�c��}���0��8�׎�8G�Ng�����9�w���߽��� �'����0 �֠�J��b� PDF's available for instant download here: https://www.jazzpianoconcepts.com/store Check below for more options. Identify chords from given notes. And over a minor 7th chord, you can play Dorian, Phrygian, or Aeolian, and so on. They just ooze that minor bluesy vibe or sweet major vibe. 1. Joseph Murphy, May 1, 1996, Self-Help, 191 pages Scales Over Chords Gtr Music Sales Distributed Towards Ujamaa twenty years of Tanu leadership, TANU (Organization), 1974, History, 308 pages These aren't your mother's handbags; they're better! For example, if you see a dominant 7th chord, you know right away that you can play a Mixolydian scale over that. The aim will be to do just as we have done with the note D, with all the rest of the notes, over a C major chord. Both of the scales below are in the key of C, so they fit perfectly over the C major chord progressions. You can choose to see a scale or chord tone pattern across the entire neck of your Fretlight guitar or the individual box patterns. �ꇆ��n���Q�t�}MA�0�al������S�x ��k�&�^���>�0|>_�'��,�G! These scales are essential for beginning jazz guitarists and enable you to play over almost any jazz standard. [��V����u8.�V͕�F5� Bebop scales are chord scales with added chromatic passing tones.They are created by interjecting one or more nondiatonic passing tones into the chord scales.When these passing notes are added to the diatonic chord scale certain notes then stand out in the scale. We hope you find them useful. After a while, the lists became too long, so we implemented some macros in Excel to find more chord relationships. x�b```f``Z������� �� �@���1���Q�"�l�" �����(�,�,S?��\��z���c\�=�O[���j�}Ҷ��r�-6g�M"O������>V��xFH�c��5����O�w��sJ����B2��,��Ph:��"#�P��EDŠ ё�ě�ơS)���^�-Z�r&�X��ʋ L8xpM�������9���ֶF���o�xel�\N�����~A�c�ņ��5Q&'�h'�<9��\��Rn^q��C�������N%��e�C�M�N��:�g�c3On^!��c�Q)�!.! Have fun applying these concepts in your playing. Get a pdf with about 800 color-coded chord diagrams (with finger positions, note names and intervals), 44 chord tones fretboard maps and a nice chord structures visual table. endstream endobj 232 0 obj<> endobj 234 0 obj<> endobj 235 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 236 0 obj<> endobj 237 0 obj<> endobj 238 0 obj[/ICCBased 245 0 R] endobj 239 0 obj<> endobj 240 0 obj<> endobj 241 0 obj<> endobj 242 0 obj<>stream Western music, especially jazz and pop, uses major, dominant 7th, Dorian minor and Blues scales and chords more than any other. Let’s show it with an example. endstream endobj 243 0 obj<> endobj 244 0 obj<> endobj 245 0 obj<>stream Basic Guitar Chords, Keys, and Scales December 30th, 2004 3 Some substitute chords for the key of G Chart 5 In the above chart is listed what are called substitute chords. “A” whole tone scale type “B” whole tone scale type • The other 10 whole tone scales have the same notes of these,but, of course, they begin from different tones. Zh��RP�A���)L��/�b�����������m�m�����C�K��2`�n}s�������1NZ�Ri�"3X5��� �������f���B2�}sv�:�jM����8)#��������+�VF}�um'�ggj�D���Stw���!����޾��9���O8&��Lz�;׮U���U���͆�����e� �x��D���##���`��d��DVNPʺ""P�t��M�#$TJn�r��� ��J �������b���fc�r,��ؘHQ��1)|��n``6//'�X��J�x ^��P�3|�w!�[�����(��ҀLF ���I�� ' �� P�ȡ��X���x!���lpݢ���&��~p�� �~�^�ŖP�f��a��v��mA {B���Z@����C�&R�W}�Ȃ���=^�9@� �� ��� C Major Pentatonic Scale. trailer 2. 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