Get an answer for 'In Act 1, what imagery does Iago use to describe Othello and Desdemona's elopement, and what conflict does that imagery develop?' Act 2, scene 1. A cuckold is the husband of an adulterous wife. He was made second in command by Othello and Iago cannot stand it. (1.3.283-294) Desdemona is totally drooling over Othello's "valiant parts:" Othello's a hottie with a body. Iago warns Othello about Brabantio’s anger, but Othello is confident in his own strength and in his love for Desdemona…. What imagery does Iago use to describe Othello and Desdemona's elopement, and what conflict does that imagery develop? This quote demonstrates Desdemona's strength and bravery. ’ The phrase ‘gross clasps’ suggests that Desdemona is being clasped and taken by Othello, it suggests that their relationship is extremely controlling on Othello’s part and gives the representation that Othello has taken Desdemona against her will.This makes Othello sound evil and like he only has negative intentions towards Desdemona. Early in Act 1, he rouses Brabantio's anger by using crude images of animals fornicating to inform him that his "daughter and the Moor are now making the beast with two backs." Brabantio clearly shows his anger with Desdemona getting married to the Moor, Othello, who is a black man. Such a metaphor is designed to evoke a strong emotional response. - 3220890 Analysis of quotes Act 1 Scene 2 • ‘I love thee gentle Desdemona’ this is the first sincere reference to love in the play. But then Iago, who doesn't give his name and whom Brabantio doesn't recognize, graphically describes Othello and Desdemona having sex—he says that "an old black ram is tupping your white ewe" (1.1.88-89), calling Othello a "Barbary horse" (1.1.110), and adds that "your daughter and the Moor are making the beast with two backs"(1.1.118). 2. The duke and the senators discuss the movements of the Turkish fleet and conclude that its target is, indeed, Cyprus…. what, ho, Brabantio! Othello is a play based on love and rivalry. Get an answer for 'Analyse Iago and Desdemona's interaction in Act 2 Scene 1. Othello speaks these lines while explaining how Desdemona came to fall in love with him. Iago is going on about how he's murdered a lot of people, but he really doesn't like to do it, because he's such an upstanding guy. In this essay I will be discussing how love is portrayed between Othello and Desdemona. What plans do Iago and Roderigo make at the end of the scene, and what do such For Othello, the entire scene 1 of Act 4 is Iago tricking Othello into thinking Desdemona is being unfaithful so that it’ll cause him to want to kill her and Cassio. Describe the use of exposition in Act I. Explore our collection of motivational and famous quotes by authors you know and love. Only on his deathbed, when he realises Desdemona’s innocence and his own ignorance is Othello’s poetry restored, and he is … ‘Witchcraft’ is referred to first in Act 1, when Brabantio accuses Othello of bewitching Desdemona. Answers ( 1 ) Avtej 30 March, 23:24 Act 1: Scene 3 1. The first part of the play is almost like an exposition because we find out what's going on. What imagery does Iago use to describe Othello and Desdemona's elopement in Act 1 of "Othello", and what conflict does the imagery bring to light? 3. Again, use several phrases from her speech to support your views. Iago leads the group that goes to fetch her. Archaic definite article suggests his respect to her name and class. These stories, Othello says, won Desdemona's love. 2. Michael Cassio is a very intelligent and good looking guy so it’s no wonder why people enjoy his company. Today we discussed what Imagery is and how we can describe it whilst analysing pieces of literature. The conversation between Iago & Roderigo brings in the attention of the audience. Try using these words in your next time-limited offer: • Download now/today • While supplies last • For a limited time only • Save your spot • Sale ends Saturday • Act now before time runs out • Get it while it’s hot • Last chance • Don’t want to miss. Running a promotion for a finite period of time is a great way to get people to act. During the conversation between Desdemona and Cassio at the beginning of Act 3, scene 3 there is a sense of dualism which does exist. 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